- WATCH BLUE IS THE WARMEST COLOR LONGER VERSION HOW TO
- WATCH BLUE IS THE WARMEST COLOR LONGER VERSION MOVIE
Dressed in bright ethnic costume, they are all smiles. Hence the unforgettable image of Adèle in the sunshine, at a school gala, leading her pupils in a kind of shuffling conga. Now he is damming the flow, as it were, and asking the question: what if love gets in the way? How does the wish to be utterly alone with the loved one, and the dread of being alone when the loved one leaves, fit into that wider, more sociable vision? It takes two to tango, but many more to make a dance of life. His earlier work-especially “The Secret of the Grain” (2007), about a laid-off shipyard worker who opens a couscous restaurant-was packed and populous, rife with family squabbles, tested friendships, and tempting feasts. In short, there are-as Spielberg, of all people, will have noticed-more traces of Truffaut here than there are of “Last Tango in Paris.” Over the years, as the shock of Bertolucci’s film has dimmed, so its savage loneliness has deepened, and that is the point, I think, from which Kechiche departs. Blue may be the warmest color, but cooler hues can tell an equal truth.
WATCH BLUE IS THE WARMEST COLOR LONGER VERSION HOW TO
Of course, we know what turns Adèle on, but, as with any fulfilling portrait of a body and soul, we also learn what happens when desire is turned off and other skills and longings come alive: when she carefully spoons a dab of chicken into a triangle of pastry before deep-frying it and serving it at a party or when, with instinctive tact and patience, she teaches little children how to read. The kitchen and the dinner table, too, receive their due. Having left school, she herself becomes a teacher, of kindergarten and then of first grade, and here’s something else you may not have heard about the film: more time is devoted to the classroom than to the bedroom.
WATCH BLUE IS THE WARMEST COLOR LONGER VERSION MOVIE
And it is her tale the affair with Emma lies at the core, but, well before they meet, we see Adèle sleeping with a boy and avidly kissing a girl, and a sad percentage of the movie is spent by Adèle on her own. I hope so, not because I expect a sequel but because the end of the film makes you long for Adèle to be happy, though you fear that such a day may never dawn.
The French title is “La Vie d’Adèle-Chapitres 1 et 2,” which is plainer and more accurate, yet more affecting, since it implies that, if life is a novel, there are more chapters in store. And here’s what you will see: a three-hour character study, set in the northern French city of Lille, and spread over several years. Well, here’s an idea: sit down and watch. Heavens! If it’s all too much for Idaho, how will the rest of us cope? In short, this movie has become a myth, gilded by an NC-17 certificate and crowned by news from Idaho, where depictions of explicit sex may not be combined with an alcohol license, and where patrons of Flicks, an art-house cinema in Boise, will therefore be forbidden to see the film. We even heard that the performers had complained of their treatment at the hands of Kechiche. We heard that the film was a love story about Adèle (Adèle Exarchopoulos), a high-school student, and Emma (Léa Seydoux), who is a few years older, and that the dramatizing of that love would make us claw our popcorn into tiny particles. Clearly, this was a work to be reckoned with, but what did it contain? Sex, allegedly, and lots of it: untrammelled, unabashed, and practically unprecedented. The jury, chaired by Steven Spielberg, awarded the Palme d’Or to the director, Abdellatif Kechiche, and his two leading ladies. Rumors, rumbles, and other palpitations have beset “Blue Is the Warmest Color” since it showed at the Cannes Film Festival, in May.
Teen girls teasing bofriends.Léa Seydoux and Adèle Exarchopoulos in a film directed by Abdellatif Kechiche.
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